PDF Ebook Hiding (Religion and Postmodernism)
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Hiding (Religion and Postmodernism)
PDF Ebook Hiding (Religion and Postmodernism)
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Amazon.com Review
"To read this book right, you have to read it wrong," writes Jack Miles in the foreword to Mark C. Taylor's Hiding, the first indication that what lies within is not your typical work of philosophy. Become distracted by its surface charms rather than convinced by its argument, in other words, and you've grasped the author's intent. Hiding aims to seduce as much as convince, Miles writes, and in that aim it succeeds. A professor at Williams College, Taylor is a truly interdisciplinary thinker whose work draws on theology, art and architecture, linguistics, literary criticism, fashion, technology, and even tattoos. In Hiding, he takes these diverse influences and weaves a virtual web of postmodern delights. Even the book's striking graphic design is part and parcel of Taylor's thought, eliminating the dichotomy between what is said and how it is presented. Indeed, throughout Hiding Taylor explores the hypnotizing play of surfaces that characterizes late-20th-century life, holding that this play leads not to meaninglessness but an infinite expansion of meanings. In his final chapter, he speculates about a possible nontotalizing yet holistic system--a structure he visualizes not as "a universal grid organizing opposites nor a dialectical system synthesizing opposites but a seamy web in which what comes together is held apart and what is held apart comes together...."
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Review
A philosopher of religion and technology, Mark C. Taylor means to disabuse us of our archaic notion that what lies beneath the surface is any more significant or real then what rides on the skin of things.... With occasional pages entirely blank or black, text interrupted by drifting quotations and fonts commingled, the book wears its heart on its sleeve, but its sleeves are unhappily short, especially in this era of a thinning ozone layer when we must all cover up. -- The New York Times Book Review, Hillel Schwartz
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Product details
Series: Religion and Postmodernism (Book 1996)
Paperback: 360 pages
Publisher: University of Chicago Press; 1 edition (January 17, 1998)
Language: English
ISBN-10: 0226791599
ISBN-13: 978-0226791593
Product Dimensions:
7 x 0.9 x 8.8 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#728,455 in Books (See Top 100 in Books)
This is, I think, Mark Taylor's most accessible and easily enjoyable book. That said, it's more complex and labyrinthine than almost anything you might read by any other religious scholar, with overlapping texts, graphical content, deliberate (and brilliant) digressions. Television,tattoos, graphic novels and more interact in an exploration of the errant marks we make on the world.
Well done.
A positive alternative to Baudrillard's dim view of the postmodern condition can be found in Mark C. Taylor's 1997 book HIDING--a philosophical re-visoning of our contemporary Western society that instead of clinging to vestigial epistemic notions of depth and foundationalism, embraces a holistic, worldwide web view of social structures. By way of an extended, elaborate metaphor that describes our ontological condition as being intimately related to our embryonic development (we are nothing more than layers of skin upon layers of skin, ad infinitum), Taylor suggests a new epistemic outlook that no longer makes an issue of depths, but rather focuses upon the complex relationship of interactive, interacting phenomena--in his phrase, "the profundity of surface." Emergent, virtual technologies retroactively point to our own socially constructed "reality" as always-already virtual itself, and to get caught up in the trap of defining contemporary phenomena in terms of outdated analytical models will only succeed in an inescapably circular logic; as he puts it, "After (the) all has been said and done, the question that remains is not `What is virtual reality?' but `What is not virtual reality?' (267). This shift in focus allows us to give our undivided attention to the realm of practice, to aesthetics, to surface; like Slavoj Zizek in TARRYING WITH THE NEGATIVE, Taylor would have us interface with things-in-themselves, allowing us to become aware of our positioning within a complex web of relations between phenomena, as well as what that positioning will allow us to do.
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